Camera Gear George Holden Camera Gear George Holden

Sony A7R III Review + 7artisans 85mm f/1.8

So, I somehow found myself with the Sony a7R III in my hands—a camera that's honestly overkill for most people, including myself. It’s a beast of a camera, no doubt. And today, I’m sharing what makes this camera both exciting and, quite frankly, challenging for my style of street photography.

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Camera Gear George Holden Camera Gear George Holden

Why Everyone Needs a Compact Camera

Today, these compact cameras are more than just a nod to vintage aesthetics. Sure, they fit right in with the retro “Indy Sleaze” vibe, but for me, as a photographer and filmmaker, they represent so much more. These cameras offer a tactile, engaging experience that smartphones just can’t replicate. They bring back the joy of simply taking a picture—without the pressure of perfection or the distraction of notifications.

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Camera Gear George Holden Camera Gear George Holden

Sony RX1 Review vs Fujifilm X100

Sony’s RX1 came with a lot of features that were both ahead of their time and surprisingly quaint by today’s standards. For example, it didn’t have a touchscreen. In fact, Sony hadn’t yet hopped on the touchscreen trend, so navigating through menus was a bit of a dance with the D-pad. Still, this hasn’t stopped me from capturing fast-moving scenes with it. And later, I’ll share a trick that makes focusing a lot more manageable than you might think.

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Camera Gear George Holden Camera Gear George Holden

Sony A6700 Photo & Video Review

I have owned the Sony A6700 for a while now, I pre-ordered the camera and received it long before Adobe Lightroom could edit the RAW image files. In that time I have used the camera extensively for photography and videography, it is certainly a very capable camera in the APSC hybrid camera category, but it has a few issues which can cause headaches in both photo and video use cases.

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Street Photography George Holden Street Photography George Holden

How Photographing Dogs Saved My Street Photography

There was something in some of the dogs I shot that day, like I was finding the parts of people that I hoped to photograph. That in-the-moment presence that only a dog can have, no worries, no fears and no bills to pay. For me, this practice helped me feel more comfortable within the same space as the dogs and also, more importantly, their owners.

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